(17 December 1806 - 12 February 1875) was a German landscape and marine painter and graphic artist. He and his contemporary, the painter Christian Morgenstern, were pioneers in Hamburg of early Realism in painting. As son of a bookkeeper to a Hamburg merchant, Vollmer grew up in humble circumstances.[3] Determined to become a painter against the wishes of his father,[4] he became an apprentice to the brothers Suhr who owned a graphic workshop producing panorama prints. For one and a half years Vollmer travelled throughout Germany with one of the brothers, Cornelius Suhr, as had been Morgenstern before him. In 1826 he was introduced by the Hamburg art-dealer Ernst Harzen to the wealthy aristocrat and supporter of the arts, Carl Friedrich von Rumohr, who was patron to many young Hamburg artists among them Morgenstern and Otto Speckter. Probably on Rumohr advice Vollmer completed his studies under Christoffer Wilhelm Eckersberg at the Royal Danish Academy of Fine Arts in Copenhagen. He then moved to Munich from where he undertook journeys to Lake Konstanz, to the Austrian and Swiss Alps, to Venice, to Le Havre and to the Netherlands. In 1839 Vollmer returned to Hamburg and settled there. One of his sons, Johannes Vollmer, became a prominent architect of protestant churches; a grand-son was the art historian and encyclopaedist Hans Vollmer who, for many years, edited the Thieme-Becker Kenstler Lexikon. Vollmer became blind in 1866.   Related Paintings of Adolph Friedrich Vollmer :. | Composition VI (on black fond). | Wooded Landscape with River | Marie Adelaide de Bourbon | The Remorse of Orestes or Orestes Pursued by the Furies | Gondolier's Siesta by John Singer Sargent Private Colleciton |
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Julia Margaret Cameron
British Photographer, 1815-1879,English pioneer photographer, b. Calcutta (now Kolkata). Born and married into the high ranks of the British civil service, Cameron became an intimate of many of the most famous people of her day. In 1864 she became an ardent amateur photographer, demanding long, arduous sittings from her illustrious friends. She sought to illuminate the inner person of her subject, and her celebrated portraits, including those of Tennyson, Carlyle, Ellen Terry, Browning, Darwin, and Longfellow, are remarkably spontaneous. She also pioneered the use of closeups,
Eugene Joors
French 1850-1910
Friedrich Carl Groger
(14 October 1766, Plön - 9 November 1838, Hamburg) was a north-German portrait painter and lithographer. One of the most respected portraitists of his time in northern Germany, his works are to be found in several museums, including the Hamburger Kunsthalle, as well as in north German, Holstein and Danish private collections. Gröger was the son of a tailor in Plön, where he grew up in modest circumstances. His parents wanted him to become a tailor or wood turner and opposed his early artistic activities. He was largely self taught in painting, though he had some contact in Lebeck with Tischbein and in 1785 was in the city of Lebeck, where he met Heinrich Jacob Aldenrath, his first, loyalest and lifelong friend - the Grögersweg in Hamburg-Barmbek named after him links the Tischbeinstraße with the Aldenrathsweg. From 1789 he studied at Berlin's Akademie der Kenste. He and Aldenrath then went together to Hamburg, then on a joint study trip to Dresden and Paris, then back to Lebeck, where he worked until 1807. They then alternated between Hamburg, Copenhagen, Kiel and Lebeck, before finally settling in Hamburg in 1814. In 1792 Gröger was made an honorary member of the Gesellschaft zur Beförderung gemeinnetziger Tätigkeit‎ in Lebeck. Gröger developed from a miniature painter into a portrait painter, who towards the end of his life preferred three quarter bust portraits. Aldenrath took over the miniature painting side of their joint business. After lithography developed in northern Germany, they both worked in this medium individually as well as jointly under the business name Firma Gröger & Aldenrath.